Ethereality News & Weblog

March 18, 2013

Another Taiwan trip + Worst bedside manner ever

SITE NEWS:
Kitty cat Diary’s been updated to August 2012:

WEBLOG:
A few months ago, Elena and I went to Taiwan for a few days. I always enjoy my time in Taiwan, because it’s a cozy mix of quaint hospitality and modernity. The quality of service across all industries in Taiwan is incredible, and beats even Japan. While Japan is extremely polite, that politeness comes off as artificial, while Taiwan feels more down-to-earth.

This time, I finally went to the famous 101 shopping mall:

It was a very posh mall, but it seemed to lack the kind of cozy warmth that some malls have, and when I searched Google Images, I realized that we probably went during slow season when none of the cool decorations were up. There are much better photos of the 101 shopping mall on the web that show how nice it can look during the busy holiday seasons.

On this trip, we didn’t really try to go out of our way for good food. For some reason, we no longer find food in Taiwan all that enticing; once the novelty wore off (this was our fourth visit in the last few years), it’s really just like any other place, where you’d have to hunt down the really great food, and the common food you find in most places is just that–common. The days of being excited by going to the famous night markets are gone. Elena enjoyed the tofu pudding desert though, and of course, ice cream is always going to put a smile on my face:

As for proper meals, none were particularly notable. It’s been a while since we had Indian food, so I was happy to see it in the food court of the 101 shopping mall:

I think our loss of interest in chasing after great food isn’t limited to Taiwan, but in general. We both share this feeling that when you’ve lived long enough and tried enough different food from various cultures, nothing is really that exotic or exciting anymore, because you have gotten familiar with all the different types of ingredients and spices, and know what they can do in various combinations. So unless it’s something very unique, we’re no longer easily impressed–which kinda sucks for us, but is a good thing for our health, because we’re now able to eat healthier and not crave unhealthy foods as much. Or, we’d just have to get even more adventurous and search out the really unique restaurants out there. But the truth is, we really couldn’t be bothered any more–there are so many other things in life we’d rather spend energy on.

But I have to say, I was pretty damn excited to find truffle salsa/paste at the 101′s supermarket. They even had the same one that got me hooked on the stuff years ago:

To me, a good truffle salsa/paste is the most amazing thing to spread on crackers and bread. Nothing else even comes close.

I went to the dentist while in Taiwan to take care of what the dentists in China couldn’t take care of properly when they pulled out my wisdom tooth. The skill, service, bedside manner, technology was like night and day between Taiwan and China. To give you an idea of how dramatic the differences are, let me briefly describe what I experienced in both countries.

In China, I went to a local dentist that came highly recommended, and I had been going to him for years, despite him being mediocre at his job compared to all the dentists I’ve been to in my lifetime (though he was probably the best in the city of Fuzhou). He didn’t even bother taking X-Rays of my wisdom tooth, and just starting working on pulling it out. I told him he probably should take X-Rays to make sure nothing unexpected is happening under the gum line, and he said he could tell just by looking that it’s a very normal tooth, and it’ll be a straightforward process. It’s only until an hour later when he was totally stuck, did he admit something’s wrong, and we had to take a taxi to a nearby hospital to get X-Rays because his machine was broken (that’s probably why he didn’t want to take an X-Ray in the first place–he was too cheap to fix his X-Ray machine).

When we got to the nearby hospital, they were in the middle of remodeling–there were construction debris everywhere right inside the hospital, even in the rooms–saw dust, plaster dust, paint cans–you name it. The hospital continued to operate as if it was just another normal day; I couldn’t believe my eyes. But then again, all the hospitals I’ve ever been to in China did not have any kind of air filtration system in place at all–they just kept all the windows open, and the only time they closed them was when it was crazy hot outside–that’s when they run the air conditioning. Imagine all the contaminants in the air, because they wanted to save money on electricity instead of running the HVAC system.

After getting one X-Ray, we took the taxi back to the local dentist’s office, and he then proceeded to spend another five hours trying to get my wisdom tooth out. Turned out the root was way too big to fit through the opening, so it had to be broken into pieces. If the damn dentist had taken a X-Ray first, he’d have known this right away and planned for it. To make things worse, he completely tore up the corner of my mouth by applying so much pressure with his instruments. The corner of my mouth was bleeding the whole time, because he had nothing in his office that could protect my mouth from getting ripped up. Seriously? I’m pretty sure modern dentists have tools they can use to protect the corner of their patient’s mouth from being torn up by their instruments. Hell, even improvised solutions could work.

I seemed to be okay after going home (the painkillers helped), but a few days later, I was in pain, and I went to another hospital to see the head dentist there.

This guy ended up insulting me to my face.

I basically told him what the situation was with my wisdom tooth extraction, and he preceded to rough-handle me. When I told him I was concerned there’s bone exposed on the side of the extraction site and asked whether we need to file it down or just leave it, he asked in a demeaning tone, “Does the exposed bone cause you emotional anguish? Does it hurt your feelings?”

I couldn’t believe my ears.

When I asked him about the common procedures for treating exposed bones I’d read about on dentistry websites, he scoffed and told me to stay off the internet. He then starts quizzing me on advanced medical knowledge in a hostile tone, and sneered at me when I didn’t know the answers. “Didn’t you say you did research online? Looks like you don’t know diddly squat.”

I wanted to slap that smug and spiteful look off of his face.

Yep, that is how doctors in China often behave–by far the worst bedside manner I’ve ever seen in my life. I have witnessed this kind of condescending and antagonistic behavior many times during the years I lived in China. The doctors treat the patients the way they would treat farm animals–man-handle them and talk down to them as if they were uneducated imbeciles.

The level of God-complex these doctors have is astounding, and to make it worse, they are bribed left and right by the patients, for these patients fear that if they don’t bribe the doctors, they’ll end up paying for it with their health or even their lives. You know who get bribed the most at the hospital in China? Anesthesiologists. It is one of the most common bribes, and has become customary at this point. If you don’t bribe them, there’s no telling what might happen to you. If you think I’m exaggerating, then just google “anesthesiologists bribed in China.” Hell, google “hospital bribery in China” and read the hits you get.

Aren’t you glad you’re only reading about this stuff instead of having to live through it? I sure am glad I got the hell out of China and have zero interest in ever going back.

I got to spend time with some family members (step-mom and half-siblings on that side) while in Taiwan, including my birth father, who I haven’t seen since 1984 (I was eleven when I left Taiwan). Part of me wishes that I lived in Taiwan so I can spend more time with them, since I missed out on many years of quality time.

It’s a little better now with social media, but nothing beats the physical presence of being near someone. I think social media is great for keeping in touch with people you already know well, but trying to get to know people you don’t know well in real life via social media always feels like there’s a layer between you–that lack of verity and precious memories of time spent together.

If real estate wasn’t so expensive there, it might be a possibility, but Elena prefers the quieter life in the States, so even if we lived in Taiwan, we’d have to pick the more rural areas (city life in most of Asia is insanely crowded and busy), and that sort of defeats the purpose, since most people we know in Taiwan all live in Taipei.

I finished reading Ender’s Game and The Great Gatsby a few months ago. Both were good books I enjoyed.

As much as I enjoyed Ender’s Game for it depiction of military strategy and the psychological toll of a child being manipulated into being an effective killer, the one thing that I couldn’t get over was the children being portrayed as far too advanced emotionally and intellectually for their ages. I was a precocious child myself, and I know there are some very intelligent and talented children out there–child prodigies and geniuses–but what Orson Scott Card wrote was too unrealistic, stretching far beyond the limits of suspension of disbelief. To have children secretly write political columns that influence the entire human race is just ludicrous. No matter how high the I.Q of a child may be, it is not the same thing as intellectual maturity. Children simply cannot formulate the kind of complex intellectual gymnastics required for political debates at the highest level, no matter how smart they are, for they lack the experience necessary to be convincing in their arguments.

***SPOILER AHEAD*** (Skip the next paragraph if you haven’t read the book and plan to.)

Another issue I had with the book was Ender’s sudden empathy for the buggers after the war had been won. His feelings about the aliens was never adequately explored in the book, and at the end, his distress for having annihilated the enemy just came out of nowhere. It’s not as if he didn’t know all along the plan was to wipe out the enemy, and all the training he went through was for that singular purpose. There should have been at least some mention of his empathy for the enemy, and how he felt about xenocide as a possible outcome of the war. While Ender was always depicted as a sensitive child that didn’t want to harm others, that doesn’t automatically mean he extended the same level of empathy towards insect-like aliens that wanted to destroy the human race.

***SPOILER ENDS***

Other than those two issues, I enjoyed Ender’s Game, and I can see why it won the awards it did (Nebula and Hugo), or why is on the required reading list for many military organizations.

The Great Gatsby is a book I should have read in high school, except the required reading list was probably flexible, and my English teacher chose a lineup that didn’t have The Great Gatsby (our reading list included books like The Stranger, The Catcher In the Rye, a couple of Salinger’s short stories, Les Misérables, a handful of Shakespeare, and probably others I can’t remember). I’m not sure what I would’ve thought of the book if I had read it as a teenager. Perhaps it would’ve only deepened my strong dislike of mindless materialism and the blind pursuit for money and social status.

As a writer, I admire the prose styling of Fitzgerald. I read the book via Kindle, and there were passages I highlighted because of how well-written they were. The creative use of syntax was particularly impressive.

The story itself was fairly simplistic, and the overall theme was clear and easy to grasp. For a book that’s often named the best American novel ever written, it’s a bit light in terms of plot, conflict, and theme, but perhaps it’s because of the simplicity that it has endured as a classic.

Quickie movie/TV reviews:

Sons of Anarchy (season five) I was starting to lose interest a bit last season, but this season had a lot of major plot progressions that altered the dynamics of the relationship and power balance between the characters, and Juice’s storyline was very intriguing. I can’t imagine this series continuing for more than another season though, since we’ve now reached the point of no return. I suspect season six will be the final season that ties up all the loose ends.

Dexter (season six) – I’m starting to get tired of Dexter at this point. The plot progression feels too sluggish, and the stakes not interesting enough. The main antagonist this time around was kind of a bore, and the plot twist didn’t have the impact it should have had. The odd incest plot twist also felt almost like jumping the shark. They need to wrap up this series with a bang next season, because at this point, the premise is all played out, and there isn’t much to do but to tie up the loose ends.

Community (season 1-3) – This is now my favorite comedy TV show (previously, it was The Office, but ever since Steve Carrel left, it just hasn’t been the same). I love the characters, the meta humor, and the pop culture references (I usually hate them, but the writers on this show managed to make them integral to the narrative as opposed to being merely gimmicks). The three youngsters (Annie, Abed, and Troy) are definitely my favorites by far.

When I realized I had fallen in love with this show (after about three episodes in), I asked myself why this show and not other shows with similar kinds of wacky humor–say, It’s Always Sunny In Philadelphia. The reason is simple–I prefer shows that have a heart, and the characters have redeemable qualities. The characters in The Community all have lovable qualities in their own ways, while the characters in IASIP are a bunch of petty sociopaths without any redeeming qualities, and even with the unrelenting pace of jokes, it leaves me cold.

Homeland (season two) – Just as enjoyable as the first season, and takes the stakes up a notch. By the end of the season, you’re left breathless and wondering how season three is going to play out. Carrie and Brody’s relationship strains the suspension of disbelief at times, just because it’s hard to accept the really bad judgement from someone who should know better. But I’m okay with how it turned out.

The Artist – It’s an enjoyable film that’s charming the way classic silent films are, and mostly because it followed the same formula in both tone and execution. The uniqueness afforded of its hindsight on the progression of the film medium in history, and how it is weaved into the execution of the film, was probably the reason why the film critics all went gaga over the film. I thought it was clever, but it didn’t add anything more to the emotional resonance, and at times bordered on being a little bit gimmicky.

Brave – Formulaic and lacking the kind of inventiveness that we’ve come to expect from Pixar. There was a time when Pixar could do no wrong, and perhaps those days are behind us.

[Rec] 3 – Very disappointing. The first two were pretty good, but this third one totally jumped the shark in the overall tone and style, having chosen a campy approach.

The Kids Are All Right – An enjoyable indie fare that looks at the dynamics of family from a slightly skewed angle.

Looper – It had some nice moments, but it’s hard not to overlook the flawed logic that the entire movie is based on. But then again, how much do we really know about the universe and time travel? The ending felt a little forced, but overall it was an entertaining movie.

Bourne Legacy – I don’t know why they bothered making this one. It’s just rehashing the same ingredients and brings nothing new to the table, and it’s not as enjoyable as the Jason Bourne trilogy.

God Bless America – The trailer had me jumping up and down with excitement, as it expressed the same pent up rage I feel about the shallow end of our civilization, and while I knew the movie was just preaching to the choir, at least it would be a cathartic experience to see the protagonist do all those things we wished we could do. Unfortunately, the best bits in the movie were all used up in the trailer–the rest of movie was meandering and pointless. I was very disappointed.

Prometheus – From all the hateful reviews of this movie out there, you’d think it’s probably one of the worst films ever made in the history of mankind, but alas, it’s only the immature and skewed hyperbole of the internet trolls. It’s no masterpiece, but it is certainly better than majority of the sci-fi movies out there, which puts it at above average at the very least.

I follow Ridley Scott’s career and watch everything he directs, and for those of you who do the same, we know we can expect a skillfully made film that looks gorgeous. The story may leave some scratching their heads, and it doesn’t quite have the same impact as I had hoped, it’s nonetheless very entertaining. I have a feeling that this is only an introduction to something much bigger to come, and the sequel is what will blow our minds.

The Assault – It can’t be easy to take an exciting premise such as a terrorist hijacking and turn it into a boring film, but that’s what the French crew behind this movie managed to do. For all the criticism that people sling towards Hollywood, at least it knows how to make exciting and entertaining movies when called to do so.

Wrath of the Titans – Another mindless special-effects movie, and this one’s worse than the previous one.

Snow White and the Huntsman – I have no idea why this movie’s got mostly positive reviews. It’s really just another pointless reimagining that has no compelling reason for existing in the first place.

Conan the Barbarian – So forgettable that I can’t remember what the hell the story was about.

Underworld: Awakening – I’ll take this series over that Twilight crap any day. While none of the entries in the Underworld series can be considered great movies, they have a kind of slickness and ultra-cool vibe that you’ll never get from any of the teenage vampire romance franchises.

The Cabin in the Woods – It’s co-written by Joss Whedon, and if you are a fan like me, you’ll watch anything he worked on. It’s got a very clever premise that turns the slasher genre on its ear, but I had hoped for a bit more background story that explained the lore better.

April 19, 2012

Leaving China soon

NEWS:
Elena and I are currently making plans to move back to The States. China’s gotten too toxic for us. There’s new toxic food scandals in the news in increasing frequency, and it’s far too scary to stay here, unable to tell which of the foods we buy are safe.

Just recently, even medicine have been tested as being toxic, containing poisonous heavy metals. The capsules used for thirteen over-the-counter medicine products have been flagged as having the poisonous capsules. The toxic capsules are made from processed old leather scraps (such as old shoes, hand bags). The immoral manufacturers try to cut costs that way instead of using food-grade gelatin.

It boggles my mind how short-sighted and stupid these people are. It’s not as if there’s an underground criminal network where they all know each other and can avoid the poisons that each other produces. So essentially, they are all just ingesting the poisons produced by fellow black-hearted food and medicine manufacturers from all over the country, and happily participating in this massive, slow suicide. For a country that’s notorious for being arrogant about how clever its people are, this is idiocy on a massive level that could only be described as the epic fail of an entire country.

Anyway, we’ll be flying back to The States sometime in May to look for a new home. We’re currently considering the Solano and Sacramento counties (closer to our price range, but still California). If any of you live in those areas and want to share some opinions on where best to live (safe, nice neighborhoods), or want hang out when we get there, just drop me a line.

SITE NEWS:
There’s now a The Best of Kitty Cat Diary section:

It’s been over ten years since I started posting Kitty Cat Diary entries, and by now, there are over 1,260 photos, so I decided to select my favorite ones and put them into a separate section.

WEBLOG:
After putting up with painfully slow bootup times (between five to ten minutes) for a few months on my main computer, I had enough and decided to upgrade to a solid state drive for the OS (Windows 7, 64-bit). The culprit for the exasperating slow speed was the old 80 GB SATA drive I was using, which was performing far below typical hard drives of similar specs. I ran some benchmarks, and the numbers told me just how slow the old drive was running:

maxtor_80GB.jpg

No wonder it took forever to bootup and load all the startup apps. Those numbers are shameful.

Here’s an old IDE drive that’s out-performing it:

samsung_ide_200GB.jpg

This is what typical SATA drives are supposed be like:

hitachi_3TB.jpg

I had no idea why the old 80 GB SATA drive was performing so badly, but it was the perfect excuse to finally experience SSD for myself, after having read so much about its legendary speed.

I hopped over to tomshardware.com to see some benchmarks for current SSD’s, and then to newegg.com to checked out the ratings and customer feedback. I ended up getting the Intel SSDSA2CW120G3 120 GB–modestly priced and with good performance. It came with a data migration software (technically, a lite version of Acronis True Image Home 2010), and it moved my OS to the SSD just fine, but I was getting odd error messages during bootup like missing language packs, or can’t boot from the CD, and other persistent weirdness. Eventually I got the sucker to bootup my migrated OS, but only after scouring the web for solutions, trying various tricks, and an endless string of expletives.

And HOLY COW, the legendary speed of running the OS on a SSD drive is no joke! Check out how fast the SSD performs in comparison:

Intel_SSD_120GB.jpg

I bet my neighbors heard the victory grunt I voiced when the OS booted up on the new SSD for the first time.

It used to take anywhere from five to ten minutes to bootup the OS and load all the startup apps, but now it only takes about a minute and ten seconds. It’s still not as fast as it could be though. My other computer that’s four-years old (also running Windows 7, 64-bit) boots up in under half of that time, and it’s running the OS off of a typical 7,200 rpm SATA hard drive (but that computer isn’t loading as many different drivers and apps during startup, being a dedicated DAW machine). I could probably do more tweaking and shorten the bootup time even more, but it’s already such a huge improvement compared to before that I’m not interested in sinking any more time into the matter. I’m just enjoying the upgrade and how fast all the apps bootup. Even a slow booting app like Photoshop now only takes about four seconds.

All in all, I would say the speed is worth the expensive asking price of SSD technology, but only for the OS drive. For typical storage, SATA hard drives are still much more cost efficient (especially now we have terabyte drives costing the same as the gigabyte drives from just a few years ago). I hear that hybrid drives (using SSD only as the cache) are also a good choice, having the best of both worlds. Maybe I’ll look into that next, but for now, my rig is running smoothly, and that’s the best I dare to hope for, having been through some maddening computer-related problems in the past.

I finished reading The Hunger Games trilogy recently (haven’t seen the movie yet though). The books were briskly paced and the plot entertaining, but the premise was too far-fetched for me.

I didn’t for one minute believe that the characters in such a world wouldn’t have on-going conversations about, or attempts to find out what might be happening outside of Panem, or what the world was like before Panem and how they could have regressed so much. Even the fact that such a thing as The Hunger Games would even exist at all, was completely beyond my ability for suspension of disbelief. I didn’t believe it in Battle Royale‘s premise either, but at least that story had a somewhat delirious, surreal tone that’s meant to be kind of tongue-in-cheek.

Suspension of disbelief issues aside, I enjoyed the story, and finished all three books. That is a compliment, since I can’t remember the last time I actually read a trilogy from beginning to end without interruption. I think Suzanne Collins’ background as a television writer really honed her ability to craft engaging pacing and plot that’s all muscle and no flab.

I liked most of the characters in the books (especially Cinna and Finnick), but I’m not a fan of Katniss. This is a common problem in first-person narratives, where all the supporting characters are actually more interesting than the main character, yet you have to experience the story through the most boring character in the cast (I had the same problem with Assassin’s Apprentice by Robin Hobb). Well, at least Katniss is still more interesting than Bella Swan could ever hope to be.

Speaking of which, I tried to force myself to read Twilight a few days ago as a form of research, to see why it became such a phenomenal success, and I just couldn’t get through the first few chapters. I had to stop because the writing was just abysmal (I dislike trashing another writer like this–I usually try to show some restraint and be diplomatic, but in this case, just…wow).

The writing was essentially at the level of bad fan fiction, with awkward syntax, self-conscious diction, terrible grammar (and I’m not talking about creative usage, but simply ignorance), and a main character that I couldn’t stand to be around because she’s so incredibly dull, insecure, ungrateful, and shallow. It was a torture to read what’s essentially the angst-ridden diary of such a drab, unremarkable person.

And then it hits me. Bella is the fictional representation of typical Twilight readers, sharing similar traits with them, and these readers are simply living vicariously through her. They get to have a romance with an impossibly pretty boy that they can’t have sex with, while inexplicably attracting various other boys without ever having shown any traits that deserve such attention. What girl wouldn’t kill to be able to attract males without any effort at all, and no amount of clumsy shyness will diminish her allure? Is it any wonder that Twilight is so damn popular? It’s feeding the shallow vanity and wish-fulfillment of girls everywhere, and it wouldn’t be a surprise if these girls grow up and read an unhealthy number of trashy romance novels as their main literary diet.

Another thing that irritated me was Bella’s fake modesty. She won’t even acknowledge the fact that maybe those boys simply think she’s hot. I’m sorry, but every single attractive female I know is aware of her own beauty in some way, regardless of how insecure she might be or if she ever admits to it. There’s no way in hell a girl who moves into town and immediately gains a loyal male fan-base that follows her around like puppy dogs, isn’t in some way aware of her own physical beauty or is glad to be pretty–even if it’s just in secret. So not only is Bella a boring and unremarkable character, she’s also unrealistic because the author has no idea how to write believable characters (if you search the web, you’ll find lots of people accusing Bella Swan to be a Mary Sue).

The entire story of Twilight hinges on shallow physical attraction and nothing else (he’s so pretty, and she smells good. Seriously?). Romeo and Juliet had a shallow romance too, but at least the story had enjoyable prose propping up the love affair, and the tragic romance itself isn’t the ultimate point of the story–it merely served as a lens in which to examine the blind hatred between two aristocratic families, conveying how absurd and petty most human conflicts are. Without that crucial component, Romeo and Juiet would never have endured all these centuries.

Let’s hope that something else much better comes along to capture the hearts of young readers everywhere, gets adapted into popular movies, and ends up as a household name.

Oh wait, it’s already happened. Harry Potter and The Hunger Games.

Quickie TV and Movie reviews:

The Walking Dead (Season Two) The firing of Frank Darabont was a big surprise, since he’s such a revered director, and the one who brought the whole thing together. But I suppose because it’s an adaptation, the studio felt safer to fire Darabont than if it was an original series that was created and written by him. As an adaptation, they at least already have a road map to reference, so as long as they don’t veer too far from the general vibe, it’s really more of a matter of logistics (considering the reasons why Darabont was fired).

Season two dragged on for a while, and then finally picked up pace with the barn plot twist. The tone of the episodes after the long hiatus between episode seven and eight were distinctly different. The new direction was less introspective and more straightforward action, and I have mixed feelings about the change; the quicker pace was more exciting, but it sometimes bordered on cheap sensationalism and soap-opera-like manipulation. If this continues, the series would be in danger of becoming too campy.

I’m still looking forward to season three though. Glen Mazzara (who replaced Frank Darabont) would have to really screw the pooch for me to give up on this series.

Ink – Ink is an indie sci-fi movie made with shoe-string budget, and has gained a cult following, but actually not very good. There’s cheap-looking, and then there’s Ink–which has that homemade video trying to look cinematic instead of just embracing what it really is. The director seemed to do action sequences best, but as a storyteller in general, he’s just not very good. The premise was interesting, but the world-building and the characters were so convoluted and one-dimensional that the whole thing amounts to not much more than an exercise in style over substance. The emotional core of the story that is the plot twist, was so predictable and unoriginal that enduring the movie all the way to the ending didn’t seem worth it.

I’m generally not a fan of the whole one-man production approach. I’ve seen too many examples of that over the years, and 99% of them were disappointing. Why choose to expressive your creative vision in a medium where you are handicapped and penalized for being a lone artist, and will be compared to much bigger productions? Why not tell your story in a medium where the playing field is completely flat, while budget and manpower has no bearing on how good of a story you can tell–mediums such as novels and graphic novels?

Mission Impossible: Ghost Protocol – I was really looking forward to Brad Bird’s first live action feature film, curious to see if his directorial voice carries over from animation. After seeing the movie, I was neither disappointed or impressed. Maybe it’s because he didn’t write it, but the movie didn’t have a distinct vision–any number of today’s working directors could’ve directed it. In other words, I didn’t really sense any of Brad’s uniqueness in the direction–it was just another blockbuster action movie.

Léa Seydoux was really something though. I couldn’t take my eyes off of her. Her countenance reminded me of the kind of sensual, sweet allure that Kate Moss showed in her 1996 L’Oreal audition tape. Some women just have it, and it’s not due to looks, but how a woman feels on the inside and carries herself.

Tinker, Tailor, Soldier, Spy – A spy thriller that’s all about the psychological and emotional conflicts–basically what spycraft is like in real life, as opposed to how it’s usually depicted in most movies.

I had totally forgotten that Gary Oldman is actually an English actor, due to all the American roles he’s played over the years. He was very good in the movie, playing someone with so much self-control, which is opposite of the kind of explosive characters he often plays.

Buried – One guy, locked inside a coffin, for the entire movie. It was pretty clever, and kept me interested enough to want to see the ending, but it was also really boring to watch once I got over the novelty of the concept in the first twenty minutes. When you realize the entire movie is going to be just one guy in a dark coffin, you’ll be tempted to do something else while the movie plays, because you figure you won’t miss much if you just listened to the dialogues. I ended up doing other things on the computer while letting the movie play, and I didn’t miss a thing.

The Adventures of Tintin – This was probably the most disappointing film from Spielberg I’ve seen in decades. It lacked the charm of the source material, and on its own, didn’t have enough emotional resonance to compliment the action/adventure elements. I can’t help but feel that adding an interesting female protagonist to the Tintin and Haddock duo (well, trio, if you count Snowy) would have made the story a bit more well-rounded.

February 25, 2012

Korean indie bands recommendations (Fanny Fink & Nell)

SITE NEWS:
The latest batch of Kitty Cat Diary entries are up:

A couple of Korean indie bands recommendations:

I’ve mentioned Fanny Fink‘s first album in the blog before, and now here are two songs from their 2nd album, 7 Moments, that I really like:

Fanny Fink – Snowdrop

Snowdrop lyrics (translated by gogoparty.livejournal.com):

It snowed yesterday
The world changed a bit

I’m going to walk slowly
Signs, billboards, stoplights (this trip doesn’t need any of that)
Anywhere I go, I’ll be walking on the road towards you

I want to warm my day and give it to you
I want to warm my day and give it to you

It snowed yesterday
The world changed a bit

You don’t have to promise, you don’t have to be perfect (just stay like this)
It’s ok even if everything fades away soon

I want to warm my day and give it to you
I want to warm my day and give it to you
I want to warm my day and give it to you
I want to warm my day and give it to you

Today disappeared a bit
The world kept changing

I love the combination of the ethereal beauty and faint melancholy intertwined with tender love. It’s as if she’s holding on to that moment walking in the snow, knowing that maybe the relationship, like the snow, will eventually fade away. But in that moment, the warmth she feels in her heart is enough.

Fanny Fink – Hear Song

Hear Song lyrics:

(I didn’t find any credible translation for the Korean part online, but I did use Bablefish to translate that one single line of Korean in the whole song, which is repeated, and it gave me this: “Buys the radio, the ancientness cassette tape.” I guess you can guess the meaning from that broken machine translation.)

라디오를 샀어 아주 오래된 카세트테이프
라디오를 틀어 아주 오래된 카세트테이프
hear song hear song hear song hear song

라디오를 샀어 아주 오래된 카세트테이프
라디오를 틀어 아주 오래된 카세트테이프
hear song lalalalala hear song lalalalala
hear song lalalalala hear song lalalalalala

Listen up
No one’s out there
파니핑크(Fanny Fink) Hear song Lyrics
I’m singing away
singing away
Where I am
Holding your eyes
No one’s out there
I’m singing away

라디오를 샀어 아주 오래된 카세트테이프
라디오를 틀어 아주 오래된 카세트테이프
hear song hear song hear song hear song
라디오를 샀어 아주 오래된 카세트테이프
라디오를 틀어 아주 오래된 카세트테이프
hear song lalalalala hear song lalalalala
hear song lalalalala hear song lalalalalala

Listen up
No one’s out there
I’m singing away
singing away
Where I am
Holding your eyes
No one’s out there
Only for you

It’s just a really cute song, with very catchy melody and arrangement, combining acoustic and electronic instruments.

I was introduced to Nell recently, a Korean indie band (via the big Asian music thread on head-fi.org). Some of their songs are really poignant and moving. Here are a couple I really like:

Nell – Tokyo (in English)

Tokyo lyrics:

The love we make
The tears we cry
Sometimes they’re just not real

The heart we break
The wounds we make
Sometimes they just don’t heal

I think i’m losing weight again
I think i’m losing taste again
I think i broke my heart again
Will you stay with me

I think i lost my love again
Maybe i sold my heart again
I think i’m left with none but pain
Will you stay with me

The things we say
The things we hear
Sometimes they’re not real

The thing we touch
The thing we feel
Sometimes they’re just not real

I like how the lyrics address the fact that when love goes wrong and no matter how broken we might feel, there’s always the understanding that it’s all an illusion, and everything will eventually come to pass.

Nell – “Last Advice” (with English subtitles)
http://youtu.be/ac_dLg-Wp6g
(The video didn’t allow embedding, so please use the link)

Last Advice lyrics:

Be quiet please
Please shut your mouth
and stay in the corner quietly
Don’t overreact
Whenever you do that
I feel like going crazy

While I do you the favor of ignoring it, stop it
If you continue, this is only going to get ugly
Until now, this is what I’ve suppressed,
my very last advice

(A)
Your thoughtlessness
disguised as intelligence
Makes me nauseous
Gives me a headache
It’s driving me crazy with disgust
I can’t take it anymore

(B)
Your sleaziness
disguised as elegance
Makes me nauseous
Gives me a headache
It’s killing me with disgust
I’ve run out of patience

How far would you fall?
Stop, Please stop
Until now, this is what I’ve suppressed,
my very last advice

Repeat (A) & (B)

Your wickedness
disguised as virtue
Makes me nauseous
Gives me a headache
It’s driving me crazy with disgust
I can’t take it anymore

Repeat (B)

This is my last advice
my very last advice

Anyone who’s ever fallen so far out of love with someone, to the point of becoming totally disgusted by the person, can relate to this song.

Quickie TV/Movie reviews:

Flashpoint (season one) – I found out about this Canadian TV show because I was looking up Claire van der Boom. She’s not in the first season, but the show’s not bad. Some episodes are a bit formulaic and outdated compared to American TV shows, but the good episodes are quite entertaining. It’s focuses more on the psychological and emotional aspects of being part of the Canadian’s version of a SWAT team. There’s very little action, which I think was on purpose. The show’s sometimes a bit too sedated for its own good though, especially when it has to compete from edgier shows that really know how to hook the audience.

Drive – A surprising film, combining the subtlety of a quiet, indie drama with the tense action of a thriller. Carey Mulligan is always a pleasure to watch. And Ryan Gosling–well, he’s Ryan Gosling. You know what you’re getting when you watch him.

Captain America: The First Avenger – Out all the Avenger’s solo movies, this one was the least interesting one. Iron Man, Thor, and The Hulk all had much more interesting solo movies. I’m definitely looking forward to The Avengers though, being a big Joss Whedon fan.

The Wrestler – Darren Aronofsky is one filmmaker whose work I follow without exception, not necessarily because I love the movies he make, but because I respect his clarity of vision and talent as a storyteller. The Wrestler, like his most of his other films, is about broken people who could only find meaning in their lives through obsessions, even if it might cost them their lives.

I liked the movie a lot, but the whole subplot with the daughter was a bit too predictable and familiar. When she mentioned the missed birthdays, I almost rolled my eyes. Really? With so many different ways to fuck up a relationship, the most clichéd missed birthdays was the one that made it into the screenplay?

13 Going On 30 – I couldn’t sit through this derivative, overacted, contrived, saccharin mess. I thought it might be something like Big, but with a female protagonist. Not even close.

Final Destination 5 – There’s no other reason to watch this franchise than the creative deaths. After five movies, it’s still fun (I think this is the last one though, since it reaches full circle with the first one).

Dogville – I hated Lars von Trier’s Dancer In the Dark (it was a contrived mess without any logical motivation for the protagonist’s needless sacrifice), but I enjoyed Dogville a lot (if the word “enjoyed” could even be used to describe a Lars von Trier film). It’s clear how disappointed von Trier is in humanity, and in some ways, I share his pessimistic view about human nature, but I think this movie’s a bit too pessimistic. Genuinely kind people are the small minority in our population, but they do exist, and I wish the movie could have addressed that.

Contagion – An enjoyable, fairly low-key epidemic thriller. Soderbergh is an excellent director, and although I haven’t seen all of his films, I’ve seen about a dozen, and I’ve liked them all.

True Romance – Revisited this one recently because people keep talking about it. I didn’t care for it when I watched it all those years ago, and I still don’t care for it now. I think it’s probably one of the weaker screenplays Tarantino’s written, and compared to Pulp Fiction, which came out just a year later, Tony Scott’s direction was also kind of immature.

The Skeleton Key – A decent gothic horror. A bit hokey in some spots, but watchable.

December 26, 2011

Odds and ends

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I just got these Husky slippers:

I was searching for a pair of bear paws slippers, but came across these Husky slippers, and yelped with delight. I just HAD to get a pair. They are pretty comfy, and don’t impede with my walk that much, except when going up the stairs, they get in the way a little bit–nothing serious though. If a gigantic klutz like me can walk with them on, so can most people.

A couple of photos:

I’ve recently moved to Scrivener for most of my writing needs (although I still use Writer’s Cafe for plotting, since the multiple lane Storylines feature is indispensable during the outlining phase). I’ve customized it to match my needs, and it looks like this:

If you also use Scrivener and wants to use my layout, you can download the .scrvlayout file on this page. If you’re on the Mac, I also provided the customization numbers for the colors on that page, so you can replicate my layout.

I’ve been trying to catch up on some games that I’ve missed out on in the past. Here are some impressions:

The Witcher – I heard a lot of good thing about this game, and now that I finally tried it, I was disappointed. The game just doesn’t feel very polished in terms of storytelling and presentation. I keep reading about how the story is sophisticated and the moral grayness is its strength, but the way the story is presented is so clumsy that I just couldn’t bother to continue after the first few hours. The game expects you to know the books it’s based on and doesn’t bother trying to build a premise for you to be immersed in. The transition from the opening chapter at the Stronghold to the outskirt of Vizima was so sudden that it felt like the game glitched and skipped a cinematic or a transitioning area. The writers also did not do a good job setting up the the relationship between the characters–I just didn’t care about any of them, and felt no bond with them.

The gameplay was also a bore-fest. All you do is click on an enemy and try to chain attacks together by clicking again when the cursor turns into a flame. How is waiting for a cursor to turn into a flame icon and then clicking it interesting? You have a few fighting styles to choose from, but all you do is match them to each enemy, and that’s it–there’s no other strategy beyond that. There are magic abilities, but it’s nothing interesting–more like what Jedi’s do with the Force.

Another thing that I didn’t like about The Witcher is you don’t feel that sense of camaraderie between characters such as with Bioware’s group system, where characters banter and actually feel like living personalities. I don’t mind lone wolf type of adventures, but it has to be compelling, and The Witcher just didn’t compel me.

I tried watching some “Let’s Play” videos on Youtube and realized the story just didn’t interest me. Having plot points and characters and conflicts is not enough–there has to be emotional resonance, and that, is what is missing from The Witcher.

As a writer and a gamer, I think Bioware’s RPG’s are far stronger in emotional resonance, and I’ll gladly replay any Bioware RPG before ever trying The Witcher again, or bother with its sequel.

Star Wars: Knights of the Old Republic II: The Sith Lords – The first KOTOR game is one of my favorite RPG’s of all time, and I have always wanted to play the sequel. I had tried numerous times previously but due to strange technical issues on the PC, I never was able to run that game smoothly–I always got stuck during the tutorial level. Recently, after discovering a patch, I was finally able to run the game, and I’ve started playing it.

I was surprised by how dated it looked, and how clunky the combat and GUI felt. For all the bitching and moaning that PC gamers do about how console games dumb down the gameplay and GUI’s of RPG’s, I actually think it’s a good thing to make gameplay and GUI as streamlined and intuitive as possible. Seriously, was it ever a good thing to have dozens and dozens of commands mapped to a QWERTY keyboard? Customizing and learning the keyboard layout of a new game was always a monumental task and I never enjoyed that aspect of PC gaming. The only time it works well is for mapping individual weapons/powers of twitch-reflex games–that’s when instant access really matters. For RPG’s, I actually prefer console-styled controls more than PC ones.

I haven’t gotten very far yet in the game, so I don’t have anything to say about it yet, although it started a lot slower than the first game, and I don’t particularly like slow beginnings unless it really draws you in, which this particular beginning doesn’t.

The Longest Journey – This is one of my favorite games of all time, and recently I thought I’d play through it again to feel that nostalgic magic again. This time around, I noticed things that I was much more willing to forgive ten years ago when I first played it–for example, how slowly the characters talked. The voice acting is great, but everyone just talked too slow, like they have all the time in the world.

On a whim, I searched for “Let’s Play” videos on Youtube, and sure enough, there they were. So I think I’m just going to watch the rest on Youtube instead, since it’s not the kind of game you play for the gameplay–it’s all about the story. There are no multi-branching endings, so you can just sit back and watch someone else play. I’ve already solved the puzzles tens years ago too, so I don’t really need to do it again. Besides, I always hated puzzle-solving in adventure games, because they often have the most contrived and annoying puzzles out of all the games.

If you have never played The Longest Journey and its sequel Dreamfall, I highly recommend you watch the “Let’s Play” videos for them on Youtube. The writing for these games are excellent (although TLJ can get a little silly at times, while Dreamfall is a lot more mature overall).

Cathrine – I have no interest in playing puzzle platformers, but the story for Catherine seemed interesting, so I just watched the “Let’s Play” for it (skipping all the actual platforming).

Despite a cast of Caucasian characters and based totally in western culture, there’s that Japanese-centric storytelling, dialogues, visual style, and includes even a question about whether the player gets nosebleeds if he is excited/aroused. I wonder if the writers even knew that’s a totally Japanese thing and westerners have never even heard of such a thing except when they see it in anime and manga?

The story really isn’t anything all that interesting, and felt more like a much shorter story being padded to hell to make it last much longer.

The only thing about the game I really liked was the voice of Catherine (voiced by Laura Bailey). Now, that is a really cute and sexy voice. Laura Bailey’s natural voice doesn’t sound anything like that though (there are videos of her doing panels at Comic Con), but I guess that’s why she’s an awesome voice actress.

Syberia/Syberia II – I tried playing Syberia years ago and was bored by it. Now, I’m watching the “Let’s Play” for these two games, and I’m still bored. There’s just no emotional resonance in the storytelling, and some of the voice acting’s just awful. I can’t stand it when they use an adult to voice a child character, and the voice actor sucks at doing children’s voices–it completely destroys the suspension of disbelief.

October 6, 2011

Inhumanly sensitive?

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There’s this quote by Pearl S. Buck about what it feels like to be a passionately creative person, and I have always liked it very much. It goes:

“The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanly sensitive.

To him… a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death.

Add to this cruelly delicate organism the overpowering necessity to create, create, create — so that
without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating.”

Some people might read the quote and roll their eyes, thinking it’s just emo hyperbole and glorifies the creative types too much, but unless you are a very serious and passionate creative person–the type the lives and breathes what you perceive to be your mission in life–be it a composer, a writer, a filmmaker, a painter, a dancer, an architect, a designer–you won’t understand how it really feels.

There’s a line that you cross when going from being a hobbyist to someone who has decided to dedicate his whole life to creative endeavors, and it’s when you cross over that threshold that you really understand how it feels, and yes, it often feels just like that quote. I know at least for me, I have felt that way since puberty, when I decided I was going to dedicate my life to multiple creative disciplines and excel in all of them to the best of my abilities.

If you consider yourself a passionately creative person, do you agree with the quote?

The other day, while walking into a bakery in Fuzhou with Elena, this middle-aged guy hocked a humongous wad of loogie and the sucker landed on my leg. I was wearing shorts, so it was absolutely disgusting–the entire front of my calf was covered with his slime. I quickly pulled out a few sheets of paper that bakeries have for you to grab stuff with, and used them to wipe the damn thing off, and then Elena pulled out a few sheets of wet antibacterial napkins for me to disinfect my leg with.

I was furious, not because the guy just walked away, since he might not have known his loogie landed on someone (I didn’t exact get all vocal about it); I was furious because this is so common in China. Despite all the public signs everywhere telling people to not spit, people still spit like llamas just about anywhere. This isn’t to say that every single person does it, since the better behaved people don’t do it, but enough of the population does it that it’s one of the things you’ll notice right away when you spend any amount of time in China.

Anyway, I haven’t ranted about living in China for a long time because I’m mostly over it by now–it is what it is, and we’re not here because we like the country.

I have always found it very interesting the way different segments of the people in the music industry relates to DJ’s. For example, pop stars sing about DJ’s in a way that is very submissive, always asking and begging the DJ’s to “put the music back on,” or “play that song,” as if the DJ’s had all this control over them that they’re powerless against.

Contrast that against the bands and indie artists who tend to have a strong dislike for DJ’s, often mocking them and deriding them in their songs, such as when Morrissey of The Smiths sang in the song “Panic”:

Burn down the disco
Hang the blessed DJ
Because the music that they constantly play
IT SAYS NOTHING TO ME ABOUT MY LIFE

What’s clear is that the pop stars are submissive to the DJ’s because they tend to identify with the average fans of music, as many pop stars aren’t actually serious musicians, while the indie artists and bands are usually serious musicians, thus placing themselves above the Disc jockeys who just play records, yet wield so much power as to make or break other people’s musical careers. (DJ’s with more advanced skills like the impressive hop-hop DJ’s are not what I’m referring to–I’m talking about the “record player players,” as Henry Rollins once called them).

It all makes a lot of sense. Mainstream pop is all about identifying with the average people, while indie and more esoteric genres are more about individual expression and viewpoints apart from the popular mainstream.

But at the same time, some indie artists and bands feel indebted to certain DJ’s, because those DJ’s played their music when no one else did, and in turn, propelled them to greater recognition, and eventually stardom.

Anyway, it’s just something I’ve observed and thought about.

I recently played and finished Homefront. I had forgotten that John Milius wrote it until I finished the game and read the credits, and thought, “Oh yeah, of course. It’s just like Red Dawn.”

The premise was compelling, but unfortunately, the game was short and the narrative too simple, without any compelling plot points that elevate it above simple “point A to point B sequence of firefights” set pieces. But then again, it’s just a straightforward shooter and not a RPG or adventure game, so maybe it’s unfair to ask for more? Other than the premise of the story, the game was just another run-of-the-mill FPS, without much else that makes it unique.

The A.I. was pretty bad in general, but this is the norm in videos still at this point. Good A.I. is something of a rarity and perhaps the only time A.I. should be mentioned at all is if it’s particularly good?

The abrupt ending to the game was a letdown, and in this regard, a lot of video games today are still lagging behind in terms of understanding the importance of a satisfying pacing and a sense of closure. It’s almost as if the moment they run out of budget and development time is when they decide to suddenly end the narrative, instead of having a painstakingly crafted narrative like the games Valve develop. I guess if everyone was good at it, then Valve wouldn’t be the standout developer.


Quickie TV/movie reviews:

1 Litre of Tears / 1リットルの涙 – I watched this mainly for Sawajiri Erika, the very cute actress/singer who’s the lead character. It’s always disappointing when actors in real life are nothing like the charming and lovable characters they play, but despite all the controversy around the actress herself (accused of being arrogant and rude), it’s impossible not to like her character in the TV series–the kind, sunny, courageous, and adorable 15-yr old high school girl with an incurable disease that eventually paralyzes her completely. It’s a tear-jerker, and if you have watched Japanese doramas before, you should already know what to expect (over-the-top acting whenever there are any comedic elements, heavy sentimentality, and tragic endings).

The Man In the Moon – A surprisingly simple and moving coming-of-age drama, and the first starring role for Reese Witherspoon (she was 15 at the time). It has a classic vibe to it, and later when I saw that it was directed by Robert Mulligan, the same director of classic, To Kill A Mocking Bird, I thought, “Of course. Makes perfect sense.” The Man In the Moon was his last film.

I’ve always been kind of indifferent to Reese Witherspoon, but I was impressed with her acting in her first film, perfectly capturing the emotions of a young teenage girl in love for the first time.

Priest – I’ve gotten more strict with the time I spend watching movies, so if a movie displays unforgivable blunders in the first fifteen to thirty minutes, I’ll switch to a different mode where I start to do other things while letting the movie continue to play, only giving it attention here and there to see if anything interesting has happened. If it’s really bad, I’ll just turn it off altogether.

With Priest, it got stupid pretty soon, such as a beginning scene with terrible continuity where a character was totally out of breath, and then the next shot he wasn’t. Shit like that is just unforgivable–that’s filmmaking 101 stuff, and the kind of mistake that no established Hollywood director and editor should be making. Then, there was a scene where the sun went down so fast that there was no twilight at all–just sun setting, and then total darkness. It was like, WTF? Add to that card board characters and a bunch of clichés, I just couldn’t take the movie seriously at all.

I ended up doing photo-editing while letting the movie play in the background, and glancing up every once a while to see if it gets any better. It didn’t.

Devil – Fairly enjoyable supernatural thriller. It’s not particularly clever or compelling, but it was entertaining.

I’m not a M. Night Shyamalan basher since I find his films typically at least as good as the average movie out there, and almost always at least above average. I think people like to bash him because he’s wont he Academy Award before, and that’s the level they expect from him every time.

The Troll Hunter – Another movie that just didn’t hold my attention, and I ended up fastforwarding most of it. It wasn’t nearly as compelling as the other fake-documentary styled action/thrillers I’ve seen, and the whole idea of trolls is just kind of silly to me, because they look so much like cartoon characters. Maybe Europeans feel differently about trolls due to tradition and legends, but for me, I’ve never found them compelling, just like how I never was interested in goblins or dwarfs or elves.

The Dead Outside – One more movie I just couldn’t make it all the way through because it just wasn’t good enough. Like I said, I’m a lot less patient these days with movies–I’ve got a huge pile of literally hundreds of movies I still haven’t watched, and I just don’t want to waste time on movies that are less than good anymore.

While The Dead Outside has its moments, the execution just wasn’t very exciting. Also, right away it bothered me how the main character was looking around in an abandoned, sinister looking house with one hand holding a filtration mask the whole time. Why would anyone do that? The damn mask had elastic bands and he could just wear it normally, so he could have both hands free in case something jumps out at him or he needs to grab things. That kind of bad direction and illogical storytelling details is one of my pet peeves.

Hall Pass I watched this mostly for Jenna Fischer, but I’m finding that my attraction to her is really due to her playing Pam in The Office. When she’s not playing Pam, she’s not nearly as adorable.

I enjoyed the bromance aspects of the movie, but not so much the chick aspects. Bromances are fun because it’s like watching cartoon bears bumbling around and knocking things over, bumping into each other, and making dorky noises. Chicks being chicks is more like watching nervous lap dogs yapping and whining, or cats hissing at each other. That is why I can’t stand Sex In the City or anything similar to it. (Yeah, that’s probably the most “guy” thing I’ll ever say in my life. I’m generally not a “typical guy” at all.)

Adaptation I’m not one of those people who worship the ground Charlie Kaufman walks on. I like some of his stuff, but I found Adaptation a bit pretentious, and the last act sort of jumped the shark for me in terms of tone and plot development.

Limitless – A fun and entertaining thriller with a very intriguing premise–one I can totally identify with. I have often thought about what I’d do if I didn’t need to sleep, or could optimize the usage of my brain, or multiple myself. As someone who tries to master multiple creative disciplines in one lifetime, I would be all over that drug.

Summer Wars – An enjoyable anime with an interesting premise, although the characters weren’t quite developed and the story a bit hard to believe.

X-Men: First Class – With all the hype, I thought it would be even better than any of the previous X-Men movies, but I’m not sure if that’s clearly the case.

I enjoyed some aspects such as the main leads, but I found January Jones quite boring as Emma Frost. It almost seemed she telephoned in her performance, but then again, it’s not as she had a lot to work with in that role. Even then, just the physicality of her performance felt wrong–the way she walked seemed wooden and clumsy. That’s now how I imagined Emma Frost would carry herself at all.

I was quite surprised by Jennifer Lawrence, because her mannerism was so different from the character she played in Winter’s Bone that I barely recognized her. Now, that’s what good acting does.

Harry Potter and the Deathly Hallows, Part 1 – I probably should have waited so I could watch part 1 and part 2 back-to-back, because there’s no real sense of closure from just part 1 alone. I did enjoy the much darker tone, and I look forward to part 2. I’m not exactly a fan of the franchise and I never read the books, but I’ve seen all the movies since they’re all fairly entertaining. Hermoine was always my favorite character, because she was witty, feisty, kind, loyal, and smart as a whip. It’s been a joy to watch Emma Watson’s grow from an adorable little girl into a beautiful young woman.

Precious I’ve been meaning to watch this, but I was wary because I suspected it to be poverty porn, and unfortunately, it was. I found the effort to depict the main lead’s transformation was weak and uninspiring, and the scenes where she was fantasizing was particularly jarring and annoying. Ironically, I avoided this film because of the poverty porn aspect, but that was the aspect the film succeeded at the most.

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